Paper you can feel.
Fibres, pigment, torn edges and soft contact shadows. Texture belongs to the paper, staying with it as the camera moves.
01 / THE SCREENING ROOM
An idea,
piece by piece.
Watch the visual language become a complete story.
Find your place.
CHOOSE A CHAPTER TO JUMP IN ↘Read the English transcript
THE MATERIAL SERIES / 02A CUT ABOVE THE ORDINARY
A little roughness. A clear idea.
Art
Collage.
Give your ideas an edge. Torn paper, photographic cutouts and type with a personality. A story assembled one deliberate piece at a time.
Watch the film09:46Explore the visual language ↓An original material & motion study.
THE PALETTEWarm paperForest inkVermilionOchre
02 / THE VISUAL LANGUAGE
Everything has
a place. And a weight.
The surface, the silhouette, the overlap. Each choice changes how an idea feels.
Different pieces. One voice.
Photographic cutouts meet clipped lettering and handwritten marks. Use scale and overlap to guide the eye; leave room for the idea to read.
Move with a reason.
A card slides in, touches down and settles. A cutout interrupts it. Entrances, contact and replacement carry the story on one shared clock.
03 / YOUR NEXT FILM
New story.
Same scissors.
Bring a subject, an audience and a running time. Build a paper world that belongs to your story.
Open this repository in your coding Agent and describe your film. / 在 Agent 中打开仓库，描述你想制作的影片。
Use the art-collage style to make a film about [subject]. Handle project setup, production and review, then deliver the MP4 and editable project. / 请用 art-collage 风格制作关于[主题]的视频，自动完成项目创建、制作与检查，交付 MP4 和可编辑工程。
The starter includes blank inputs, paper tools and production guides. Author the scenes, renderer and audio for each new film.
TRY THIS IN CODEX
Make a three-minute Art Collage film about [subject] for [audience]. Use tactile paper, expressive cutouts, clipped typography and purposeful physical motion. Create an original script and composition. Keep narration, camera, captions and sound on one timeline. Inspect the final picture, movement and audio, and repair observed problems.
04 / FROM THE CUTTING TABLE
Craft the details.
Keep the intent.
A clear method leaves more room for a distinctive film.
Cast for the story.
Keep a character recognisable across shots. For a specific real person, use a portrait supplied for that production; adapt the paper and print treatment around their identity.
One shared clock.
Use an integer-frame timeline for picture, narration, captions and sound. Give each object its own weight, and each important thought a readable hold.
Look. Watch. Listen.
Inspect encoded stills at useful sizes. Watch the movement and listen to the mix separately. Fix the observed defects and check the final delivery again.
05 / THE FILM’S FOOTNOTES
Follow the thread.
The research behind the film, with the scope and limits of each study.